Executive Times

 

 

 

 

 

2005 Book Reviews

 

Toast: The Story of a Boy's Hunger by Nigel Slater

 

Rating: (Recommended)

 

 

 

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Nourishing

 

I was skeptical when I picked up Nigel Slater’s memoir, Toast: The Story of a Boy's Hunger. After all, what could be all that interesting in a food writer’s memoir of his coming of age, especially recollections of the food of his youth? As it turns out, Toast is a tasty memoir, well-written and packed with the poignancy of the ups and downs of growing up followed by grief and loss. Yank readers will value the appendix that explains some of the foodstuffs referenced in the text that may be unfamiliar.

 

Here’s an excerpt, pp. 40-49:

 

Cheese and Pineapple

 

We rarely had visitors who stayed to eat. We had never even been to, let alone given, a dinner party; despite having a dining table that could seat twelve. But there were friends who would appear now and again, usually couples so similar as to be indistinguishable from one an­other. They had names like Ray or Eunice. All the men wore ties and cardigans. The women wore twinsets. The sort of women who talked about their “dailies” and would never leave the house without a brooch. I do re­member them all laughing a lot, but I never understood what about. Everyone was taller than me. It was as if I wasn’t there.

It was my job to pass around the room with the food. Oh God, the food. “Now, dear, you make certain that everyone gets a cheese football, won’t you?” my mother would say. Our place in local society seemed not to de­pend on whether we had a double garage (we had) or which golf club my father belonged to (he didn’t). It was more a question of whether you had Huntley & Palmer’s Cheese Footballs or not.

The pièce de résistance was a grapefruit spiked with cocktail sticks holding cubes of cheese and pineapple. The preparation was always a bit of a performance: draining the syrup from the tinned pineapple, cutting the Cracker Barrel into even-sized chunks, finding the cocktail sticks that would usually end up at the back of the gadget drawer covered in a dusting of flour. I hated doing it.

Few things could embarrass a would-be chef quite as much as having to hold out a whole grapefruit speared with cubes of Cheddar and tinned pineapple on cocktail sticks to men in cardigans.

The worst of it was that everyone thought I had done the food. “He wants to be a chef,” my father would say, as I held up the spiked grapefruit to the Masonic Worshipful Master’s wife, who had a tight perm and lips like a cat’s bottom. When it came to offering the dreaded grapefruit to everyone else, I would throw my head in the air and flay my nostrils in disapproval. “Don’t pull a face like that,” my father once snapped, “you look like Kenneth Williams.” But I had to let everyone know my disdain for my parents’ catering arrangements. After all, if I had done the food, they would have had prunes wrapped in bacon.

 

 

Apples

 

I played in the garden mostly, away from the road and the big boys with their plastic footballs that stung my legs. “I’d rather you played where I can see you,” warned Mother, so that suited me fine. Long borders ran either side of the lawn, white rhododendrons, pink- and saffron­colored azaleas, purple Michaelmas daisies, and, in deepest summer, dahlias, spiky ones as big as a dinner plate, ma­roon and white and gaudy yellow. In one corner was an apple tree, not ours, but most of it overhung our garden, so that come late August its fruit fell into the mauve-and-­white phloxes below.

If I stood on tiptoe I could just reach the apples hang­ing on the lower twigs, flat-topped apples, pale green and rose like Turkish delight, with snow-white flesh that had ripples of pink running through it. They tasted of straw­berries but smelled of the scented phlox that grew under­neath them. I could reach these apples, unlike the fruit of the three trees in our garden whose branches were, even on tiptoes, just out of reach. I could get to the glue bands my father put around their trunks though, and used to peel off the flies and wasps they trapped, pulling them by their wings until their bodies came apart.

 

 

Uncle Reg used to come around once a week, on a Thurs­day evening, bringing with him a white paper bag of Cadbury’s Flakes, Aztecs, Milky Ways, tubes of Rob, Munchies, Mintolas, and Refreshers and thin black-and-white bars of Caramac. A tall handsome man with sunken cheeks, a slightly hooked nose, and shaking hands, the whites of his eyes shot with red veins. He wore a long gray mackintosh and smelled of something that was both sour and sweet.

Over the summer Uncle Reg came less and less often, his bags of sweets getting bigger with each visit. Some­times he would bring flowers for my mother. Then one day he stopped coming altogether. I heard my mother on the phone telling someone that he had died. I never saw the lovely Uncle Reg or his sweets again.

There was no limit to how many of next-door’s apples I was allowed to eat. So I just kept eating them throughout the summer. The largest always fell first, right down through the pink-eyed flowers on their tall stems. At first, I would stretch down into the flowers to pick up the ap­ples until one day I got stung by a wasp hiding in the half-eaten side underneath. Another time there was a maggot jerking its way through the flesh, which I might have missed and eaten if it hadn’t been for its tiny dot of a black head. From then on I went in foot first, turning each fruit over with my toe, inspecting for anything that might sting or wriggle.

 

 

Cream Soda

 

Nobody tells me anything. They talk in whispers over my head, in hushed tones when I’m sitting drawing my usual pictures of Scottish hills or gluing model planes together. (I’m very good at shading heather and frankly draw nothing else, inspired no doubt by our last holiday, when we drove back from Loch Lomond with a sprig of the stuff tucked in the radiator of the car.)

Friday afternoon is when the pop man comes. During the summer holidays I wait around for him to arrive so that I can get at the dandelion and burdock before my brothers do. The bottles are heavily embossed and have screw caps that are almost impossible to undo. Favorite: D & B; sec­ond favorite: cream soda; least fave is plain lemonade which I leave for everyone else. I think my dad drinks it.

I like dandelion and burdock because it makes me burp really loudly, but the best flavor is actually cream soda. I don’t know how they get something clear and pale green to taste creamy but they do.

“I don’t know how you can drink that stuff,” says our daily, Mrs. Poole, grimacing like a haddock eating mus­tard. Mrs. Poole has long gray hair tied in a plait around her head. Bits of hair, dry and floaty, splay out at all angles so that her plait looks like a viper in a nest. She is fat with a big bottom, actually a vast, flat bottom that sways as she hoovers the sitting room and seems to have a life of its own. You always knew when Mrs. P. had been, the house smelled of lavender polish and stale Hoover bags and there was the faintest whiff of armpits. I don’t know what my mother would do without her, even though she does smell of tinned tomato soup.

“That stuff’ll give you wind,” huffs Mrs. P.

“Actually, everything gives me wind.”

“Like you needed to tell me that. I hear you aburpin’ an’ abbowin’ all the time. If your father was to hear those noises you make he’d ban you from drinking all that POP. Sometimes, I’m surprised you don’t go bang.”

“Well, if I do, then you’ll just have to mop me up, won’t you?”

Cream soda never seems as cold as the other drinks. The bubbles are softer, and don’t get up your nose and make your sinuses burn like dandelion and burdock or orangeade. Cream soda looks as if it is going to taste of lime but is instead rather more fleeting, vanilla perhaps. Whatever flavorings they use it is rather like drinking a sponge cake.

 

 

Setlers

 

The most forbidden of places was my father’s bedside drawer. I had never been told not to go there; I just knew it was out of bounds. A secret place. An ivory-colored drawer set in a glossy black table, gold handle, its perfect patina interrupted only by a ring burned in the top by a hot mug. My mother’s, on the other hand, was an open book. A jumble of tissues and hairpins, powder compacts, and violet cachous. Home to one of the many Ventolin inhalers tucked discreetly around the house.

His drawer was neat, and smelled of the cortisone cream he smoothed into his hands each year in the autumn when a weird rash would flare up. There were several opened tubes of Setlers, a little blue Masonic book with dashes where some of the words should be, and a fat gray-and-maroon packet of Durex. There were several menus from dinners he had been to, often with the signatures of those who attended on the inside and some strange badges that I guessed were something to do with his Masonic uniform.

Setlers were as much a part of my father’s DNA as his pipe and his Daily Telegraph. The chalky white tablets went everywhere with him; half and quarter packets were in every jacket pocket, including the one in his suede waist­coat, and in the glovebox of the car. Ten times a day he would rub his sternum and tear another strip of wrapper off his indigestion pills. He would nibble them when he drove and when he watched television. I have even known him take one after supper, “just in case.” Setlers were my dad’s worry beads.

If indigestion presented itself as a side effect of worry, it might also be taken as a symptom for coldness, short temper, impatience, and deceit. He suffered all of these, as did we.

The filthiest of Dad’s stomach medicines was kaolin and morphine. A thick and creamy white crust that floated on a thin transparent liquid, he called it K et Morph. He would shake the glass bottle for a good two minutes, hold­ing the cork in place with his thumb before he tweaked it out and took a swig, sometimes two, from the bottle. He shuddered as he swallowed during what had become a daily ritual. He always had something disgusting in his mouth, a Setler, a glug of kaolin and morphine, his pipe. When it wasn’t one of those it would be Senior Service or a Mannekin. I flinched on the rare occasion he kissed me, even though I wanted him to.

 

 

Sunday Roast

 

The kitchen at York House is in its usual Sunday chaos. Through the clank of pans, I can hear the crackle and spit of roast beef coming from the Aga. My father is in the greenhouse, doing whatever it is that middle-aged men in greenhouses do. Through the hatch I can see steam, which means Mother is draining the beans. Beads of condensation cover the leaded windows. The odd trickle forms pools on the window ledge.

York House 15 a solid, hall-timbered family house, built for new money, with its warren of utility room, scullery, greenhouse, and downstairs lavatory. Fashion has it that multicolored venetian blinds now hang at the leaded-light windows. The garden is somewhat typical of the time; its neat lawn broken by three apple trees with daffodils at the base of their trunks. A majestic willow hangs over the pond and there is a long and winding path around the back. There are bluebells along there, and here and there clouds of London pride.

Roasts are done in the Aga in the main kitchen, veg­etables (beans, peas, carrots) on the cream Belling in the scullery. The output from the hottest of the Aga’s two hot plates often disappears at the crucial moment. Sunday lunch is almost guaranteed to bring out a sudden drop in temperature. My father says it has something to do with the hot-water supply.

Right now the scullery is hot enough to melt lead. Though to be fair most of the heat is being given off by my mother, who finds Sunday lunch a meal too many Her hatred of it is pure and unhidden. She starts to twitch about it on Saturday afternoon. The beef, the potatoes, the beans, the carrots, the gravy, oh God the gravy Horse­radish sauce may or may not appear. It is my father who looks after the twiddly bits, the mustard, “horserubbish,” and the Yorkshire pudding—which he makes in an old roasting tin, one huge pudding, which he cuts into podgy squares. He doesn’t do the gravy; but I suspect we all wish he would.

He has a thing about carving the roast. It is like he imagines he clubbed the animal to death and dragged it home through the snow like a caveman with a mammoth. Not to carve the Sunday joint would be an admission to not being quite a man.

How this equates with his love of salmon-pink bego­nias is another matter.

 

 

Heinz Sponge Pudding

 

Part of the inevitability of Sunday lunch was Heinz Sponge Pudding. I savored every last crumb, be it rasp­berry jam, ginger, sultana, or chocolate. The last two were what I hoped for when I found the kitchen fugged up with steam and the sound of the tin rattling in its saucepan. The label would fall off and float in the water. I got to learn which one we were having by the smell. Sweet cardboard tinged with chocolate, dried fruit, or gin­ger. To my nose the jam one just smelled of sweet card­board. There were days when my mother let the pan boil dry and the beloved sultana sponge would burn in its tin. My father would feign nonchalance. It hid his exaspera­tion at having married a woman who couldn’t boil water.

A Heinz Sponge Pudding serves four. Just. If we were six for lunch we got two puddings, which meant seconds. If there were five of us my mother would say, “Oh, one’ll do, I won’t have any” But she always would.

We always had cream with our sponge pudding. Nestlé’s from a tin, which allowed us to avoid the heartache of watching Mother try to make custard. The cream, so thick you could stand a spoon up in it, was al­ways scooped out of its shallow, white-and-blue tin into the gravy boat and passed around the table. There was a fight, albeit a silent one, to get to the cream jug before Auntie Fanny Brought up in a family that had never known cream, she was making up for it now, taking almost half the jugful. You could barely see her slice of pudding under it. “Are you sure you’ve got enough cream there, Auntie?” my brother would say, followed by a glaring scowl from my father. He aimed it at Adrian but it was just as much meant for Auntie Fanny.

It was essential to get the cream before Fanny for an­other reason. She had a hooked beak of a nose. An Edith Sitwell sort of a nose. And on the end of that beak there was a permanent dewdrop of thin, clear snot. I can never remember her without it, apart from a few seconds after she wiped it with her flowery hanky and tucked it up the sleeve of one of her baby-blue or lemon cardigans.

When she got to the cream first, five pairs of eyes would focus intently on the glistening bud at the end of her nose, everyone willing the shining bead not to drop until she passed the cream jug on to someone else. Except me. I prayed that one day it would happen, and wondered what everyone would do if it did. Would we have to open another tin? Would my father cover Auntie’s embarrass­ment by just stirring it in and slopping it over his pud? I sat there, my fists clenched in my lap, willing, begging it to happen. I would have relished it. Even more so if no one but me had noticed.

 

There are times to smile and times to wince on the pages of Toast. Some episodes are sweet, while others are certainly sour. All in all, Toast is a well-written memoir.

 

Steve Hopkins, February 25, 2005

 

 

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The recommendation rating for this book appeared

 in the March 2005 issue of Executive Times

 

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