Executive Times

 

 

 

 

 

2005 Book Reviews

 

Pretty Birds by Scott Simon

 

Rating: (Recommended)

 

 

 

Click on title or picture to buy from amazon.com

 

 

 

 

 

Divided

 

Scott Simon’s debut novel, Pretty Birds, reveals the sorrow of the siege of Sarajevo in 1992 when Bosnian Serbans began cleansing their country of Muslims. Protagonist 17 year old Irena Zaric becomes a sniper after her family is forced to leave their home in the Serb section of the city, are robbed of their meager belongings, and move to her grandmother’s apartment, where they find the old woman has been killed. Irena’s parrot, Pretty Bird, moves with them, and plays a key role in plot development. This is a story of friendship and betrayal, and the atrocities of war. Here’s an excerpt, all of Chapter 3, pp. 25-31:

 

As Coach Dino left, he drew a red basketball jersey from the front pocket of his gym jacket and laid it across Irena’s bedstead. “Guard this while I’m gone,” he said. “Sleep in it. Keep it in your bed. That’s the place”—he ducked his chin toward her—”where I want to be.”

In fact, Irena and Coach Dino had never been to bed. Their couplings were staged in stairwells, equipment closets, and—most challengingly—in a crawl space between the gymnasium bleachers and a wall of the women’s shower room. The verticality of their sex was a joke between them. Fuck­ing on her feet, he counseled, was good for her quadriceps. “You can run fifty laps around the gym,” he would say, raising his eyebrows like excla­mation points. “Or—”

“Anything,” Irena would say, “to avoid running laps.”

It wasn’t until Irena had opened up the shirt that she saw JORDAN across the back, CHICAGO on the front. The gift, along with the gunshots and emptiness outside, alarmed her. Irena was cunning. She knew that Coach Dino enjoyed having sex with her, but she assumed that one day he would approach her with his sad hound’s face and announce that he was returning to his wife (or, at least, to their bedroom from the couch on which he pro­fessed to sleep) or moving in with Julija Mitric, the hazel-eyed women’s soccer coach. Irena enjoyed her moments with Coach Dino, but she spent more time dreaming about Toni Kukoc, the great Croatian player, or Johnny Depp than about the coach. She hid their relationship like a shoplifted lip­stick.

Irena would never wear the red jersey to school or practice. But her parents would see it on the bed, in her closet, under her pillow. No lie would be convincing; accepted, perhaps, for the sake of peace, but never believed. The red jersey was like an indiscreet letter left in a drawer. Coach Dino must have known that the jersey would lead Irena to proclaim her adulthood by flinging his name into her parents’ astonished faces. He must have known that he wouldn’t be coming back to Sarajevo anytime soon.

 

 

Mr. Zaric cleared his throat, smoothed his hair, and told his small fam­ily that he had to declare what he had been thinking. It was shortly after eight o’clock on a Sunday, and coffee was dripping down into the electric glass pot. Pretty Bird made bubbling, popping, and sizzling sounds as the coffee crackled against the hot plate. Mrs. Zaric sat next to the bird, at the far corner of the kitchen table, her eyes shining and rimmed in pink.

“I’ve been thinking,” he began. “All night, really. Your brother even mentioned this a few days ago. When our phone was working.” Irena’s brother, Tomaslav, was traveling with friends in Vienna, and would call every couple of days as he heard increasingly harrowing news from home. “I’m thinking it’s maybe a good time to visit your grandmother.” Irena’s only living grandmother, her father’s mother, lived in the apartment she had shared with her husband near the synagogue in Old Town.

“I am thinking that it is not good to leave her alone. Under the circum­stances. Especially at night.”

Irena was baffled. Her grandmother lived about ten blocks away. Visits to her flat were casual and unceremonious. “Shouldn’t Grandma come here?” she asked. “Our place is larger. She likes Pretty Bird, too.”

Mrs. Zaric’s eyes began to brim with water once again.

Irena’s father clenched his right hand tightly on his daughter’s fore­arm, then loosened his grasp as he felt her shrink back. “The idea is for us to stay with Grandma,” he said. He let the idea stare at his daughter for a moment. “If we stay here—I don’t know. Mr. Kemal downstairs—their car was burned. He said the phone rang, and someone said, ‘Your wife and son and dog are in the trunk.’ They weren’t, thank God. But now they’ve all left for Vitez. There’s something spray-painted on a side of your basket­ball court now—”

“Kids,” said Irena.

“—about ‘This is Serb country.’

“Kids, kids, kids,” Irena insisted. “Kids and their crayons.”

“I don’t recognize this planet,” Mr. Zaric said with slow ferocity. “I can’t walk across the bridge to get the tram, because thugs in black sweaters want to see my identity card. They warn me that I’m living in ‘stolen Serb territory.’ I should say, ‘Listen, you goons, we are both living in Bosnia, a free country where everyone is equal. I will go where I like.’ But they have guns. They make their point. I went into the bank on Friday. Mr. Djordic said he hoped I wouldn’t mind a sign he had to put up on instructions from Belgrade. You know what it said? ‘No money handled by Muslims.’ Can you imagine? Signs like South Africa. Mr. Djordic got all flustered. ‘Oh, Mr. Zaric,’ he said, ‘I just have to humor the assholes.’ Some fucking sense of humor. I should have said, ‘Why don’t you show them a Woody Allen movie?’ But some people have guns, and the bank has our money. One day it’s a rude call, a lewd note, something lurid scrawled in the parking lot. The next? What do you think you’ve been hearing at night—champagne corks.

“Jerks shooting guns into the sky,” said Irena. “Coach said that last night. They don’t want to hurt anyone. They’re worried about being out­numbered.”

“Well, they are changing the numbers,” said Mr. Zaric evenly. “Send­ing Muslims and Croats packing from Vukovar, Nadin, and Skabrinj, with only what they could carry on their shoulders. Bombing those beautiful old stones of Dubrovnik back into biblical dust. ‘Ethnic cleansing,’ they call it. A little light housekeeping. You know what happened, don’t you, when the people in Vukovar had to give in after all that shelling and shooting? While you’ve been listening to Madonna, I’ve been tuned to the BBC. But late, to keep it from you and your mother. But I can’t anymore. They hauled all the non-Serbs out of their houses. Marched them out into the cold streets and bare fields. Then they’d pick a man here, a woman there. Who knows on what whim? They’d line them up and shoot them. The rest took the hint. They were ‘deported for their protection.’ Like ‘sanitized for your protec­tion’ across the strip of a toilet seat.”

Mrs. Zaric stirred now, and rose as if to protest.

Mr. Zaric raised his voice to stop her. “She has to hear this!” he shouted. “In Bijeljina, a Serb leader named Arkan set fleeing Muslims on fire. They treat him like Napoleon.”

“For fucking Christ’s sake, Daddy!” Irena exploded in fear and fury. “Who is they? We are half Serb! At least, I am!”

“Half isn’t half enough for them,” her father bellowed back. “Yes, them. Or too much. Don’t you see? They want ‘purity.’ My father was a Serb married to a Jew. I married a Muslim whose mother was a Croat. Serb, Croat, Muslim, Jew—what does that make you and your brother? We have no name. And now we have no place.”

“Those weren’t our Serbs,” Irena insisted. “They’re peasants. The kind of people who squat in fields, for fuck’s sake.”

“And those weren’t our Muslims in Vukovar or Bijeljina?” asked Mrs. Zaric softly. She had tried to shrink into the wall behind her husband and daughter, keeping pointedly unaligned. “Just country people in black dresses and rag scarves—not city folks like us? Maybe we should see Grandma today, anyway. Have her tell you about when the Nazis came here, and dragged away the Jews and the Gypsies. Has your life been so kind,” she asked her daughter, “that you thought Nazis were only in the movies? Like Godzilla and the Terminator?”

At some point, as Mrs. Zaric spoke, they had all sat back down in indi­vidual surrender. Irena’s chair thumped, and Pretty Bird began to whir again like Mrs. Zaric’s mixer. They all fought a smile, then gave in.

Mrs. Zaric went on in her softest voice. “We ‘ye seen the bonfires in the streets. Someone threw a bomb into the synagogue. Somebody threw a match into the library. Someone set a fire in the post office, and snipers shot at the firemen. You run out of accidents. This is how it starts.”

“How will we be safer just a few blocks away?” asked Irena. She began to cry into her mother’s shoulder as her father hovered, speaking gently.

“Safer across the river. We’ll each pack a bag. A week’s worth of clothes. No, three days—Grandma has a washing machine. Let’s bring a little cheese, some coffee, the things Grandma forgets.” Mr. Zaric smiled down at his daughter. “And, of course, Pretty Bird. I’ll carry his cage. We’ll stay here today. There’s a march headed from Dobrinja. The streets are crazy. Tomorrow is a holiday. We’ll lock up and leave, like we’re going to the mountains.”

Irena fixed a hopeful look on her father. “And if it’s quiet tonight?”

“I’ll go anyway, to check on Grandma, if the phones are still out. If it’s calm outside, I’ll come right back.”

“Maybe we won’t have to go?”

Mr. Zaric hesitated. “Maybe. Maybe. But get packed. Start now. If something breaks out at that march, we might leave earlier.”

Irena wiped her eyes and stood up. “This is fucking insane,” she said.

“Yes,” said her father. He spoke gently, and laid a palm against his daughter’s cheek. “It sure fucking is.”

Pretty Bird made a boiling noise, like the rumble of Mrs. Zaric’s elec­tric kettle.

“Get packed,” Mr. Zaric reminded Irena from the hallway. “No more scenes. I don’t want to give another history lesson to someone who’s so young she thinks Yuri Gagarin was one of the Beatles before Ringo.”

“That was Pete Best, you clod. You clod, dear,” Mrs. Zaric called out from the kitchen.

“You taught me that,” said Irena. “Who in the hell is Yuri Gagarin?”

 

 

Irena zipped open the shiny black nylon Adidas bag she had gotten when the team went to Zagreb for a tournament. It seemed to yawn. She laid out three American polo shirts (red, blue, and black, each of them HECHO EN HONDURAS—perhaps Pretty Bird had flown over the factory on his way to find their family), two pairs of Esprit jeans (one blue and one black), three pairs of white socks, three panties (two pink, one white), two white cotton bras, and a pair of scuffed brown loafers. Irena lowered each bundle into the bag and pressed down. Then she laid out the clothes she had decided she should wear to walk over to her grandmother’s apartment:

her favorite black cotton shell with the lacy neck, a short Esprit denim dress, her gray West German army jacket, and the red-and-black Air Jor­dan shoes Aunt Senada had sent from Cleveland. She rooted around in the box under her bed for some of her favorite magazines. Grandma didn’t have a television set, and Irena doubted that her parents would let her walk into Old Town.

Irena had Q magazine from June 1991, with Madonna on the cover in a snug white swimsuit, saying, “Everyone thinks I’m a nymphomaniac, but I’d rather read a book.” (Mr. Zaric had brought that one home from the news kiosk, saying to his daughter, “If she can read a book, so can you.”) She chose The Face from July ‘91, with Johnny Depp on the cover. Inside, Irena recalled, he insisted that he and Winona did the dishes together, at least once. She found another Face from May ‘91 with a sensational shot of Wendy James on the cover: she had strung strands of white beads around her breasts and nipples, turning them into Christmas trees. She selected a Sky from August ‘91. Vanessa Paradis was on the cover, but Irena had saved it for the interview with Madonna (“Her Again!” it squealed on the front) and a feature on teenage sex kittens through movie history, includ­ing old pictures of Brooke Shields, Jodie Foster, Milla Jovovich, and really old shots of Brigitte Bardot that Irena had been meaning to show to her grandmother. She thumbed through the article briefly before packing the magazine away, and thought she rather resembled the shot of Nastassja Kinski wearing a man’s shirt. It reminded her to pack her Michael Jordan jersey, but to squeeze it below the magazines, into a corner.

Irena placed a copy of The Little Prince on top of the magazines (that, at least, was a book she had read and enjoyed), and a copy of SportNews from Zagreb, with Toni Kukoc on the cover, his jazzman’s goatee glisten­ing. Finally, she reached back to her bed table and plucked up a bottle of Honey Almond makeup, a roll of Fire & Ice lipstick, and a small glass bot­tle of Deeply Purple nail polish. As she pressed down these last, small items, she remembered one more. She rolled back the drawer of her bed­side table and picked up a row of three foil-wrapped condoms, which she pressed a little more carefully into the crinkles of the magazine. She had begun to zip the bag closed when she caught sight of the threadbare old brown Pokey Bear who had shared her bed since she was three. She zipped the bag as far as it would go before nipping the red bow on Pokey’s neck. He would be borne like a pasha to her grandmother’s house. Irena used a toe to push her bag into the hallway, under the Degas blue dancer print hanging by the front door.

“Done,” she called out, and Pretty Bird began to trill like an un­answered telephone.

 

 

The Zarics were packing when the noontime march began from Do­brinja. Legions of short-haired students and long-haired academics, a delegation of hard-hatted coal miners and woolly-shirted farmworkers linked arms and surged down Proletariat Brigade Boulevard, chanting, “Bosnia! We are Bosnia!”

Perhaps a third of the marchers were Serbs. They did not want to live in some Greater Serbia, pruned and purged of all other peoples. Many of them hoisted peace symbols, an emblem pointedly imported from the West. They wanted the Bosnia they had just invented to be an unarmed Lennonist state, blameless and beloved.

Just before one in the afternoon, marchers began to stream into the flat plaza surrounding the Bosnian Parliament building. Some people thought they heard lightning crackle overhead; then hornets zapping around their shoulders and feet, smacking off the concrete, and biting into legs and fore­heads. Two or three seconds later, almost timidly, pops of blood plumed. Men and women began to flop down hard, like birds that had flown over a hunter’s blind. The Zarics could hear something like paper bags being popped overhead, knew they were not, and turned on their television. Some of the marchers in the square stayed down, as if they could hide. Some got up on their knees and lurched, then staggered, and tried to run for the shelter of trees in the plaza. Bullets clipped the leaves and gouged the tree trunks, then smacked into the bones of men and women. There were screams, screeches, sirens, and sobs. But the sounds that stayed with people in the plaza were the thuds of steel spanking flesh, and the splash of blood against the hard pavement. In the fantastic silence that survivors re­member more clearly than a noise, the splash sounded like water spilling from a hose into the street.

Somebody got a brave and absurd idea: surge over the Vrbanja Bridge into Grbavica, and dare the snipers to lay down their guns. Chants rose from the streets. “Stop the war! Peace for Bosnia! Put down your guns!” In their high roosts, the snipers paused for a moment, disbelieving the marchers’ audacity. Two young women, Suada Dilberovic and Olga Sucic, ran ahead of the rest, cheering, waving, and skipping into a squall of bullets.

 

Pretty Birds is an emotionally taut, gripping story, well-told for a first novel.

 

Steve Hopkins, August 25, 2005

 

 

Buy Pretty Birds @ amazon.com

Go To Hopkins & Company Homepage

 

 

Go to 2005 Book Shelf

Go to Executive Times Archives

 

 

 

 

 

 

ă 2005 Hopkins and Company, LLC

 

The recommendation rating for this book appeared

 in the September 2005 issue of Executive Times

 

URL for this review:

 http://www.hopkinsandcompany.com/Books/Pretty Birds.htm

 

For Reprint Permission, Contact:

Hopkins & Company, LLC • 723 North Kenilworth AvenueOak Park, IL 60302
Phone: 708-466-4650 • Fax: 708-386-8687

E-mail: books@hopkinsandcompany.com

www.hopkinsandcompany.com