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Olivia Joules and the Overactive Imagination by Helen Fielding

 

Rating: (Recommended)

 

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Romp

Helen Fielding’s new novel, Olivia Joules and the Overactive Imagination, provides readers with an interesting title character who takes over the 007 role in international espionage with more wit than James Bond usually delivered. The plot moves quickly and unexpectedly, encouraging readers to flip pages quickly. There are times when a reader can pause to laugh, and then pick up on the latest twisting trail. Olivia Joules romps around the world bumping into Al Queda, an Osama bin Laden look-alike, and terrorist acts. If you’re prepared to laugh at some of those things, you’ll enjoy reading Olivia Joules and the Overactive Imagination. Here’s an excerpt, all of Chapter 5, pp. 22-30:

 

She sat outside a café on the South Shore Strip waiting for Barry’s morning call and wishing it would stop being so windy. It was sunny and humid, but the wind was a roaring, flapping con­stant in the background. Breakfast was Olivia’s favorite meal: coffee and something piggy like a muffin. Or a smoked-salmon-and-cream—cheese bagel. Or banana pancakes. And as many newspapers as possible spread before her. But this morning the New York Times, the Miami Herald, USA Today and two British tabloids had to be restrained under the salt and pepper. She had ordered cinnamon-apple French toast in order to eradicate the remnants of last night’s apple martinis. Treat apple with apple—like snake bite with snake venom.

She poured maple syrup onto the cinnamon-apple French toast triangle, stuck her knife in and watched the pureed apple ooze out, imagining confronting Osama bin Ferramo at his party that night: “Killing is so very wrong. We, as nations, must learn to honor our differences and live in peace.” Osama bin Ferramo, breaking down, would sobbingly agree that his Holy War must end and that he would work tirelessly in future for world peace alongside President Carter, Ginger Spice, et al. Olivia would be internationally feted, elevated to foreign correspondent, awarded an honorary Pulitzer … her mobile rang.

“Hi,” she answered, in a tense, urgent voice, glancing behind her to check for al-Qaeda spies. It was Barry.

“Okay, numero uno: this floating apartment—ship story …”

“Yes!” said Olivia, excitedly. “It’s a really good story. It’s huge. Arid the people live on it all year round and just fly in by helicopter. I could do it in a couple of extra days.” Olivia had the phone wedged between her ear and shoulder while she tucked into the apple French toast.

Oh, I agree it’s a good story. So good, in fact, that, as you ap­parently failed to notice, we covered it in a full-page spread in the Style section last week.”

Olivia paused with her toast halfway to her mouth.

“That’s a section of the Sunday Times, the newspaper you’re sup­posed to be working for. Indeed, the very section of the Sunday Times you are supposed to be working for. You do, I assume, read the Sunday Times occasionally, are familiar with it, at least?”

“Yes,” she said, brows lowered.

“And this other ‘fantastic news story’ you’ve found. What might that be? Miami invaded by walking dolphins, perhaps? The former Iraqi information minister spinning vinyl in the lobby?”

Thank God she hadn’t c-mailed him after all.

“Well, actually it’s something I’ve just started working on. I’ll tell you more in a couple of—”

“Shut up. How are we getting along with the story we are sup­posed to be doing? The story we’ve been sent out to Miami, at considerable expense, to cover? Any chance of us turning our at­tention to that at some point? At all?”

“Oh yes, yes. I’m doing that. It’s all fine. But I’m onto some really good leads for another story. I promise you, it’s really good. If I could just stay one more night and go to this party, then…”

“No. En. Oh. No. You file ‘Cool Miami’ by six o’clock your time tonight. Fifteen hundred words. Spelled correctly. With nor­mal punctuation, not an assortment of strange markings put in ran— dowdy, to help. And then you do not go to parties, go shopping, or get waylaid by any other form of irrelevant entertainment. You go to the airport, get the night flight and conic home. Got it?”

By a supreme effort of will, she refrained from telling him that:

1.  He was missing the biggest story of the twenty—first century.

2.  One day he would be sorry.

3.  Re his punctuation slur: language was a beautiful free-flowing, evolving thing which should not he fettered by artificial rules, regulations and strange markings imposed from without rather than within.

“Okay, Bazzer,” she said instead. “I’ll do it by six o’clock.”

 

Elan had not yet called to nix the OceansApart story, so she thought it wouldn’t do any harm to nip quickly down to the harbor to take a look, just in case, so that if Elan did happen to call and say yes, then she would have some more material. Plus, she could be pick­ing up more local color for the Sunday Times piece while she was at it. It was nine already, but she figured that if she got back from the OceansApart by ten-thirty, she’d still have seven and a half hours to write the article for Barry. And spell—check it. And e—mail it. But it would definitely be fine. Definitely. That was only about two hun­dred words an hour. And she could run! It was, after all, vital to exercise.

Unfortunately, Olivia did not have a proper grasp of the passage of time. In fact, both Barry and Kate had noted on several occa­sions that Olivia thought time was personal, that it moved at the speed she wanted it to. Their view was that this was not a belief compatible with being a newspaper journalist with deadlines to meet and so on.

 

Jogging along the South Shore Strip, even at breakfast time, was like flipping through radio channels: a different beat blaring out from each café. Waiters were hosing down the pavements, gardeners blowing away leaves. The lines of hooting cars were gone, the party people only recently tucked into bed. Olivia passed a café playing salsa music; inside, everything—walls, tables, plates, menus—was cov­ered in the same lurid jungle print; the waitress, even at that hour, was wearing a leopardskin, halter-neck catsuit. She crossed the road to get a better view of the campy grandeur of the Versace mansion and the art deco hotels—whites, pinks, lilacs, oranges—the Pelican, the Avalon, the Casa Grande, curves and funnels suggesting trains and ocean liners. It was hot already, the shadows of the fluttering palm trees crisp against the white pavement. She started working out her piece as she ran.

“Think Miami is full of old people’s condos, the hum of electric wheelchairs and people shooting each other? Think again!”

“Suddenly there are more revamped art deco hotels every­where!”

“If Paris is the new elevator music, Miami is the new Eminm.”

“If Manchester is the new Soho, then Miami is the new Man­hattan.

“If Eastbourne had a makeover from Ian Schrager and Stella McCartney, then forced all its inhabitants into a giant tanning booth…”

Oh God. She couldn’t do this stuff anymore. It was nonsense. It didn’t mean anything. She had to find a proper story.

 

 

At the south end of the strip were huge apartment blocks, and be­hind them, gliding smoothly, she could see a huge ocean liner. She must be close to the docks. She jogged along the street, the area becoming rougher and tattier, until she reached the water at South Pomte Park, where the deep shipping lane passed straight in front of the apartments and marina. The liner was moving fast, its bulbous rear disappearing towards the docks: big, but not the OceansApart. She peered at the skyline beyond it: the tower blocks of downtown Miami, the arched bridges of the highways crisscrossing the big ex­panses of water, the cranes marking the docks. She started to run towards them, but they were farther away than they seemed; she kept thinking she was so nearly there, it would be stupid to turn back.

She had stopped at the end of a traffic bridge, trying to get her breath and pushing a damp strand of hair from her forehead, when she suddenly realized that what she had thought was an office block beyond the liner was in fact the OceansApart. Here, in the harbor, it dwarfed all the other ships around it, making them look like toys or miniatures. It was monolithic. It looked too big to he safe, as though it might topple over.

Across the way, a small crowd of people was gathered on a patch of grass, a group of taxis parked alongside. Olivia made her way over. She counted the decks: there were fifteen of them, lines of portholes, then layer upon layer of balconies. There were people sitting out on white chairs at tables, eating breakfast. She glanced around at the crowd. Sonic of them were clearly passengers, taking photographs with the OceansApart in the background, dressed in the garish and bizarre outfits which seem to go with the cruising life. Olivia smiled at the sight of a lady with a bright orange face and red lipstick, which had missed her mouth, wearing a little white boxy jacket with epaulets and a captain’s hat, and an enibarrassed husband in pastel, infantilized cruise gear beside her, posing while a taxi driver took their photos.

“Excuse me, love.” It was a northern English accent. Olivia turned to see an old couple, the auburn-haired lady in an elegant green dress with a cream handbag and matching cream shoes. The cream shoes made Olivia think of holidays in Bournemouth. The man, who was only slightly taller than the lady, and stockily built, was holding her jacket. It was sweet the way he was smoothing it proprietorially, as if he was proud to be holding it for her.

“Would you mind taking our photo in front of the ship?” The lady held out a disposable camera.

Olivia smiled. “Where are you from?”

Leeds, love. Just near Leeds.”

“I’m from Worksop,” said Olivia, taking the camera.

Ee, ‘ecky thump,” quipped the old man. “You look out of breath. Have you been running? Don’t you want to get your breath back a minute?”

“No, I’m fine. Closer together,” said Olivia, peering through the viewfinder. “Ooh, hang on. I’m going to have to move back a bit to get it all in.”

“Don’t bother, love. Just get a bit in. We know what it is, don’t we, Edward?” The lady was a charming mix of elegant looks and broad Yorkshire accent.

Olivia clicked the camera, looking at the beaming couple through the viewfinder. It suddenly felt as though all the scariness and bad things in life had receded, and she was in a lovely granny-and-grandpa world of biscuit tins and doilies. To her horror, she felt tears pricking her eyelids.

“There you go. Souvenir of Miami,” she said slightly too cheerily, handing back the camera.

The lady chuckled. “Running. It makes me feel jiggered just looking at you. Do you want a cough sweet?” She began to rum­mage in her bag.

“So, love,” said the old man, “what are you doing so far away from Worksop?”

“I’m a journalist,” said Olivia. “I’m trying to get my magazine to let me write something about the OceansApart.”

Eee, right fair. A journalist. That’s grand, that is.”

“We can tell you all sorts about the ship, love.”

“Do you live on it?”

“Yes!” said the man proudly

“Well, only part of the time,” said the lady

“That’s our cabin. Look, halfway up, in the middle, with the pink towel,” said the man, pointing.

“Oh yes, looks nice. Lovely balcony. I’m Olivia, by the way”

Elsie, and this is Edward. We’re on our honeymoon.”

“Your honeymoon? Have you known each other a long time?”

“Fifty years,” said Edward, proudly “She wouldn’t have me when she were eighteen.”

“Well, you started courting someone else. What did you expect?”

“Only because you wouldn’t have me.”

Olivia loved people’s stories. Scratch the surface of anyone and you’d find something strange and complicated going on.

“Do you want a lift anywhere?” said the man. “We’re taking a taxi to South Beach.”

“Ooh, yes please,” said Olivia. “As a matter of fact, I’ve made myself a bit late.”

 

“So, carry on with the story” Olivia said as the taxi pulled out onto the highway

“Well,” said Elsie, “anyway, he thought I weren’t interested, and I thought he weren’t interested, and we lived in the same town for fifty years and never said ‘owt. Then my husband died, and Vera, that was Edward’s wife as was, she died, and then …”

“Well, here we are. We was married two weeks ago and we’ve got a lot of missed time to make up for.”

“That’s so sad,” said Olivia. “All that time, wasted.”

“Aye,” said Edward.

“Nay, lass,” said Elsie. “You can’t go regretting stuff because there wasn’t anything else that could have happened.”

“What do you mean?”

“Well, you know, it’s cause and effect. Every time anything hap­pens it’s because of all the other things happening all over the world. Any time you make a decision, there wasn’t anything else you could have done because it were who you were, like, and it was all the things that had happened up to then that made you decide that. So there’s no point regretting anything:’

Olivia looked at her, nodding thoughtfully “I’m going to add that to my Rules for Living,” she said. Her mobile rang, dammit.

“You can answer it, love, we’re not bothered.”

It was a coinmissioning editor from Elan, gushing at her that they wanted the OceansApart piece, and she could stay another two nights to do it. “But we don’t want any white shoes and blue rinses, right?” Olivia flinched, hoping her new friends couldn’t hear. “We want hip people, not hip replacements.”

Olivia said good-bye and clicked the phone off with a sigh. It rang again immediately.

“Where are you?” bellowed Barry “I’ve just rung the hotel and you’re not there. What the fuck are you doing?”

“I. Am. Do. Ing. It,” she said. “I’m just doing a bit of extra research.”

“Get the fuck on and write it,” he said. “Six o’clock, finished, fifteen hundred words. Or that’s the last time I’m sending you abroad.”

“He sounded a bit aerated,” said Edward.

“I don’t like men what shout, do you?” said Elsie.

She arranged to come and talk to them the following morning at eleven. They said they’d introduce her to the residents’ man­ager and show her round their apartment and “all the amenities.” They dropped her off in front of the Delano. She looked at her watch and realized that, unfortunately, it was nearly quarter to twelve.

 

 

“If sex is the new elevator music, then Miami is the new Manhattan. If …”

It was quarter to four and she still hadn’t got an opening para­graph. She sat back from the computer with her pen in her mouth. Then, glancing behind her guiltily as if she was in the newsroom, she brought up AOL and hit Google, typing in “Pierre Ferramo.” Still nothing there. It was definitely weird. If he was for real, there Would be something at least. She typed in “Olivia Joules.” You see, even she had two hundred and ninety-three entries. She started to read them: articles from the years she’d been trying to make it as a Journalist, the first one about car alarms. Crufts Dog Show. She smiled fondly at the memories. Then she thought she’d have a little look through her clothes to think about what to wear for the party. As she stood up, she caught sight of the clock.

OhmybloodyGodandfuck! It was four-thirty-five, and she hadn’t written a word.

 

Olivia dived back to the desk and hit her sleek titanium iBook with a sudden frenzy.

“In the capital of England the worlds of fashion, music, TV, theater, movies, literature, newspapers and politics combine in one small city like a writhing knot of snakes. In America these areas are separated out into capitals of their own. Traditionally, it was politics in Washington, literature, arts and fashion in New York, entertain­ment in LA. But within the last few years Miami—formerly the capital of guns, shady business dealings, smugglers and sun-seeking geriatrics—has exploded onto the capital—city scene in a burst of hot light, art deco and leopardskin as the center of extravagant cool, with the glitz of music, fashion and entertainment increasingly drawn there as if by the force of a giant pink and ice-blue magnet.”

There. She would rephrase it and start with a bit of color. The phone rang. It was Melissa, the PR girl, “just asking” how she was getting on with the article and checking that she was coming to Pierre Ferramo’s “little gathering:’ Olivia tried to type with one hand, the phone tucked under her chin, desperately waiting for a gap between sentences which never came. No sooner had she got rid of Melissa than the phone rang again. This time it was the com­missioning editor from Elan, in a leisurely mood, wanting to talk more about the OceansApart: the angle, the length, the style, people who might be good for interviews. It was nearly five o’clock. It was hopeless, hopeless. Why the fuck had she got herself into this mess? She was doomed—doomed to write articles beginning: “Suddenly there are more hats everywhere!” She would never be allowed out of the office again.

Readers looking for light reading and willing to put up with some underdeveloped characters and plot threads that seem to start and stop erratically will enjoy spending some time with Olivia Joules and the Overactive Imagination.

Steve Hopkins, August 26, 2004

 

ã 2004 Hopkins and Company, LLC

 

The recommendation rating for this book appeared in the September 2004 issue of Executive Times

URL for this review: http://www.hopkinsandcompany.com/Books/Olivia Joules and the Overactive Imagination.htm

 

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