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Oblivion:
stories by David Foster Wallace Rating: •• (Mildly Recommended) |
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Wordy David Foster
Wallace presents eight stories in the collection titled, Oblivion.
Fans will enjoy the complexity of Wallace’s writing. I found some of the
longest sentences I’ve ever read, constructed with precision. Most of the
writing is quirky and idiosyncratic, and it came across to me as heavily
self-absorbed. Wallace packs those wordy sentences with a totality of
exposition that at many times becomes tiring and overwhelming to a reader.
Here’s an excerpt, from
the beginning of the story, titled, “Another Pioneer,” which is written as a
single paragraph, pp. 117-121: Nevertheless
gentlemen I fear the lone instance I can recall having heard aloud derived
from an acquaintance of a close friend who said that he had himself overheard
this exemplum aboard a high-altitude commercial flight while on some
type of business trip, the fellow evidently holding a commercial position
that called for frequent air travel. Certain key contextual details remained
obscure. Nor, one hastens to admit, did the variant or exemplum contain
any formal Annunciation as such, nor any comme
on dit Period of Trial or Supernatural Aid,
Trickster Figures, archetypal Resurrection, nor any of certain other
recognized elements of the cycle; nevertheless gentlemen I leave it to you to
judge for yourselves as of course you each in turn have left it to us as
well. As I understood it the man in question was diverted by weather onto the
continuation of a United Airlines flight and overheard its narration as part
of a lengthier discourse between two passengers seated in the row just ahead
of his own. He was, in other words, forced to sit in steerage. It was a continuation
of some much longer flight, perhaps even Transatlantic, and the two
passengers had evidently been seated together on the flight’s first leg, and
were already deep in conversation when he boarded; and the crux here is that
the fellow said he missed the first part of whatever larger conversation it
was part of. Meaning that there was no enframing
context or deictic antecedent as such surrounding the archetypal narrative as
of course there is with all of us together here this afternoon. That it
appeared to come, as the fellow described it, out of nowhere. Also that he
had evidently been seated in the particular medial exit row that is always
nearest the wing’s large jet engine, the overwing
exit often in I believe on this type of aircraft Row 19 or 20, whereat in an
evacuation you are required to turn two handles in two separate and opposed
directions and supposedly then to somehow pull the entire window apparatus
out of the jetliner’s fuselage and stow it in some very complicated way all
detailed in glyphs on the instructional safety card that on so many
commercial airlines is very nearly impossible to interpret with any
confidence. With his point being that because of the location’s terrific
ambient engine noise throughout the flight he was able to overhear the
narrative fragment only because one of the prenominate
passengers before him seemed to be either hard of hearing or cognitively
challenged in some way, for the somewhat younger passenger — the one who appeared to be relating and
interpreting the cycle’s variant or parable or whatever you may adjudge it to
be — seemed to
articulate his sentences very slowly and with unusual clarity and
distinctness. Which he said come to think of it is also the way people who
are not particularly bright or sensitive speak to foreigners, so that perhaps
the older passenger was a non-native speaker of English and the narrator was
himself not bright. The two never turned round or turned their two heads
sufficiently for him to get a real look at them; all there ever was to look
at as the narrative unfolded were the rear portions of their heads and necks,
which he said appeared average and unremarkable and difficult to extrapolate
anything from, which is the way the backs of strangers’ heads on airliners
nearly always look. Though of course there are exceptions. From the outset,
certain parallels were striking. For it concerned a certain child born in a very primitive paleolithic
village somewhere. Just where he did not know; this was undoubtedly a part of
the narrative’s protasis or exposition which he
had missed by finding himself forced to fly standby and entering in as it
were medias res. On the United leg. The sense he got was of a certain
extraordinarily primitive, Third World, jungle or rain-forest region of the
world, perhaps Asia or If
after reading this excerpt, your reaction is to take a breath and say, “Wow,”
Oblivion
is the book for you. If your reaction is, “Huh?” you’ll want to take a pass. Steve
Hopkins, October 25, 2004 |
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ã 2004 Hopkins and Company, LLC The recommendation rating for
this book appeared in the November 2004
issue of Executive Times URL for this review: http://www.hopkinsandcompany.com/Books/Oblivion.htm For Reprint Permission,
Contact: Hopkins & Company, LLC • E-mail: books@hopkinsandcompany.com |
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