Executive Times

 

 

 

 

 

2005 Book Reviews

 

Marker by Robin Cook

 

Rating: (Mildly Recommended)

 

 

 

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Tedious

 

Robin Cook’s new medical thriller, Marker, reprises characters Laurie Montgomery and Jack Stapleton, medical examiners from his 1999 novel Vector, and drags them through over 500 pages of predictable exposition at a snail’s pace and with his sharpest political preaching yet. For some readers, this is a perfect book to haul to the beach: not much thinking and lots of page turning. It’s easy to follow the plot, and there are few surprises, and little suspense. Here’s an excerpt, from the middle of Chapter 3, pp. 34-41:

 

Even after working at the OCME for thirteen years, Laurie still savored the tingle of excitement she felt as she entered what she considered to be the center of action. It certainly wasn’t the visual experience, for in that regard, the tiled, windowless room with its blue-white fluorescent lighting was cheerless. The eight stainless-steel tables were dented and stained from countless postmortems. Over each hung an antiquated spring-loaded scale. Along the walls were exposed piping, dated X-ray view boxes, old-fashioned glass-fronted cabinets containing an array of grisly instruments, and chipped soapstone sinks. More than a half century ago, it had been a state-of-the-art facility and the pride of the OCME, but now it suffered from lack of funds for both modernization and appropri­ate upkeep. Yet the physical plant didn’t faze Laurie. The setting didn’t even register in her mind. Her response was based on know­ing that she would see or learn something new every time she en­tered the room.

Of the eight tables, three were occupied. One supported the corpse of Sean McGillin, or so Laurie surmised, since Marvin was scurrying around it in his final preparations. The other two, closest to where Laurie was standing, contained bodies in the middle of their procedures. Directly in front of her lay a large, dark-skinned man. Four people attired in moon suits identical to Laurie’s were working over him. Although reflections off the curved plastic full-face masks made identification difficult, Laurie recognized Calvin Washington. His six-foot, seven-inch, two-hundred-fifty-pound frame was hard to conceal. The other one she thought was Harold Bingham because of his contrasting short, stocky stature. The last two had to be George Fontworth and the mortuary tech, Sal D’Am­brosio, but because they were about the same size, she couldn’t tell them apart.

Laurie stepped over to the foot of the table. Just in front of her was a drain emitting a rude sucking sound. Water continuously ran down the surface of the table beneath the corpse to carry away body fluids.

Fontworth, where the hell did you learn to use a scalpel?” Bingham growled.

It was now obvious which one of the suited figures was George. He was on the patient’s right with his hands somewhere down in the deceased’s retroperitoneal space, apparently trying to trace the track of a bullet. Laurie couldn’t help but feel a stab of sympathy for George. Whenever Bingham came into the autopsy room, he liked to assume the professor role, but he invariably became impa­tient and annoyed. Even though Laurie knew she could always learn from him, she disliked the aggravation of working with him. It was too stressful.

Sensing that the atmosphere around table one was too charged to ask any questions, Laurie moved down toward table two. There she had no trouble recognizing Jack, Lou, and Vinnie. Immediately, she sensed the atmosphere was the opposite, with some semi-suppressed laughter dying away as she arrived. Laurie was not sur­prised. Jack was famous for his black humor. The corpse was that of a thin, almost emaciated, middle-aged female with brittle, bleach­blond hair. Laurie assumed it was Sara Cromwell. Of particular note was the handle of a kitchen knife protruding at an acute, cephalad angle from the upper, outer, anterior surface of her right thigh. Laurie wasn’t surprised to see the utensil still in place. In such cases, medical examiners preferred that such objects be left in situ.

“I hope you are showing reasonable respect for the dead,” Lau­rie gibed.

“Never a dull moment,” Lou responded.

“And I don’t know why I keep laughing at the same jokes,” Vin­nie complained.

“Tell me, Doctor Montgomery!” Jack said in an exaggerated professorial tone. “In your professional opinion, would you guess this penetrating entry into the thigh was a mortal wound?”

Bending over slightly so she could better access the point of entry, Laurie looked more closely at the knife. It appeared to be a small kitchen paring knife, which she guessed had a blade about four inches long, which had penetrated to the haft lateral to the femur. More important, the entrance was inferior to the anterior iliac spine but in line with it.

“I’d have to say it was not fatal,” Laurie responded. “Its location suggests the femoral vessels surely would have been spared, so bleeding would have been minimal.”

“And Dr. Montgomery, what does the angle of entry of the weapon suggest?”

“I’d have to say it’s a rather unorthodox way for someone to stab their victim.”

“There you go, gentlemen,” Jack commented smugly. “We have confirmation of my assessment by the eminent Dr. Montgomery.”

“But there was blood all over the place,” Lou whined. “Where the hell did it come from? There are no other wounds.”

“Ah-ha!” Jack said switching to an exaggerated French accent, finger raised in the air. “I believe we shall see in a few moments. Monsieur Amendola, le couteau, s’il vous plait!”

Despite the glare of the overhead fluorescent lights off Vinnie’s face mask, Laurie caught him rolling his eyes as he passed a scalpel into Jack’s waiting hand. He and Jack had a curious relationship. Although it was based on mutual respect, they pretended it was the opposite.

Leaving the three to their own devices, Laurie moved on. She felt a mild disappointment that Jack could be so offhand and flip­pant. She couldn’t help but think it wasn’t a particularly good sign, as if he didn’t care.

Laurie made an effort to put the problems with Jack out of her mind as she approached the next table. Stretched out on its slightly angled surface was the body of a well-muscled male in his mid-twenties, his head propped up on a wooden block. By reflex, she immediately began the external exam. The individual ap­peared healthy. His visible skin, although marble-white in death, was lesion-free.

His hair was thick and dark, and his eyes were closed as if in repose. The only visible anomalies were a sutured incision with a re­tained drain on his lower right leg, the capped-off end of an intra­venous line running into his left arm, and an endotracheal tube protruding from his mouth, left over from the resuscitation attempt.

With Marvin still busy putting labels on specimen jars, Laurie checked the body’s accession number and name. Confident that she was dealing with Sean McGillin, she continued the external exam, inspecting the IV site carefully. It looked entirely normal, with no swelling or other evidence of extravasation of blood or IV fluid. She looked more closely at the sutured wound on the leg, the site of the operation on the fractured tibia and fibula. There was no swelling or discoloration there, either suggesting that there was no infection. The drain was sutured in place with a single loose loop of black silk, and there was evidence of a minimal discharge of serous fluid. The leg itself looked like the other leg, without any outward signs of ve­nous thrombosis or clotting.

“I didn’t see anything of note externally,” Marvin said when he returned with a handful of sterile syringes and specimen jars, some containing preservatives and some without. He placed them all on the edge of the table to have them immediately available.

“So far, I’d have to agree,” Laurie responded. There was a lot of give-and-take between the techs and the doctors, although it varied, depending on the personalities. Laurie always encouraged com­ments and suggestions, especially from Marvin. As far as she was concerned, the techs were a rich source of experience.

Marvin went over to the glass-fronted cabinets to get the re­quired instruments. Despite the hum of her ventilation fan, Laurie could hear whistling. He was always cheerful, which was another thing she liked about him.

After checking for signs of intravenous drug use and not find­ing any, Laurie used a nasal speculum to look inside Sean’s nose. There was no suggestion of cocaine use. With a mysterious death, drugs had to be considered, despite what his parents had said to the contrary. Next, she opened the eyelids to examine the eyes. They appeared normal, with no hemorrhages on the sclera. Opening the mouth, she made sure the endotracheal tube was in the trachea and not the esophagus. Laurie had seen that on a few occasions with the predictable disastrous results.

With all his preparations complete, Marvin came back to the side of the table opposite Laurie and stood expectantly, waiting for the internal part of the autopsy to begin.

“All right! Let’s do it!” Laurie said, reaching out with her hand as Marvin handed her a scalpel.

Although Laurie had done thousands of postmortems, each time she started another, it gave her a tingle of excitement. Starting the actual autopsy was akin to opening a sacred book, the myster­ies of which she was about to discover. With her index finger press­ing down on the top of the scalpel, Laurie expertly made the usual Y-shaped incision, starting from the points of the shoulders, meeting mid-sternum, and then continuing down to the pubis. With Marvin’s help, she quickly reflected skin and muscle before remov­ing the breastbone with bone cutters.

“Looks like a broken rib,” Marvin commented, pointing to a de­fect on the right side of the chest.

“No hemorrhage, so it was postmortem, probably from the re­suscitation attempt. Some people go overboard with the chest com­pressions.”

“Ouch!” Marvin said sympathetically.

Expecting blood clots or other emboli, Laurie was eager to ex­amine the great veins leading to the heart, the heart itself, and the pulmonary arteries, where fatal clots would usually be found. But she resisted the temptation. She knew that it was best to follow a normal protocol, lest something be forgotten. Carefully, she exam­ined all the internal organs in situ, then used the syringes Marvin had laid out to take fluid samples for toxicological testing. A fatal reaction to a drug, toxin, or even an anesthetic agent had to be considered. Less than twenty-four hours had elapsed since the de­ceased had undergone anesthesia.

Laurie and Marvin worked together in silence, making certain that each sample was put into the correctly labeled specimen con­tainer. Once the fluid samples had been obtained, she began to re­move the internal organs. Diligently, she maintained the normal sequence, and it wasn’t until a bit later that she finally turned her attention to the heart.

“Here comes the money!” Marvin quipped.

Laurie smiled. The heart was indeed where she expected to find the pathology. With a few deft strokes, the heart came out. She peered into the cut end of the vena cava, but there was no clot. She was disappointed, since she had already noted that the pulmonary arteries had been clear when she’d removed the lungs.

Laurie weighed the heart, then with a long bladed knife, began an internal examination. To her chagrin, there was nothing amiss. There was no clot, and even the coronary arteries appeared entirely normal.

Laurie and Marvin’s eyes met across the opened corpse.

“Damn!” Marvin exhaled.

“I’m surprised,” Laurie said. She took a deep breath. “Well, you see to the gut and I’ll take my micro samples, then we’ll check the brain.”

“You got it,” Marvin said. He took the stomach and the intes­tines over to the sink to wash them out.

Laurie took multiple tissue samples for microscopic study, par­ticularly from the heart and the lungs.

Marvin returned the cleaned gut to Laurie, who went through it carefully, taking samples as she proceeded. Meanwhile, Marvin started on the head by reflecting the scalp. By the time Laurie was finished with the stomach and intestines, Marvin was ready for her to inspect the skull. She gave him a thumbs-up when she was through, and he hefted the power-vibrating saw to cut through the bone just above the ears.

While Marvin was busy with the skull, Laurie took a scissors and opened the sutured wound on the lower leg. All looked fine within the surgical site. She then opened the long veins of the legs, tracing them from the ankles all the way up into the abdomen. There were no clots.

“The brain looks normal to me,” Marvin commented.

Laurie nodded. There was no swelling and no hemorrhage, and the color was normal. She felt it with her practiced finger. It felt normal as well.

A few minutes later, Laurie had the brain out, and she dropped it into a pan that Marvin held. She checked the cut ends of the carotid arteries. Like everything else, they were normal. She weighed the brain. Its weight was within the normal limits.

“We’re not finding anything,” she said.

“I’m sorry,” Marvin said.

Laurie smiled. On top of his other good qualities, he was em­pathetic. “You don’t need to apologize. It’s not your fault.”

“It would have been nice to find something. What are you thinking now? It doesn’t look like he should have died.”

“I haven’t the slightest idea. I’ll hope the microscopic can shed some light, but I’m not optimistic. Everything looks and feels so normal. Why don’t you start winding things up while I section the brain. I can’t think of anything else to do.”

“You got it,” Marvin said cheerfully.

As Laurie anticipated, the interior of the brain looked like its exterior. She took the appropriate samples, then joined Marvin to suture up the body. With both of them working, it took only a few minutes.

“I’d like to get my next case up as soon as possible,” Laurie said. “I hope you don’t mind.” She was afraid that once she sat down, her fatigue would return with a vengeance. At the moment, she was feeling better than expected.

“Not at all,” Marvin said. He was already straightening up.

 “How long will the turnaround take?” Laurie asked Marvin as he carried the specimen bottles away.

“Not long at all.”

 

Fans of prior Cook novels will likely find Marker an average Cook effort and will enjoy reading it. Many readers will find that the novel carries hundreds of excess pages of dialogue and description that an editor would have expunged were this a less bankable author. I found it tedious, but I plodded my way through, thinking little in the warm weather and letting the dialogue waft over me like a cooling breeze.

 

Steve Hopkins, August 25, 2005

 

 

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The recommendation rating for this book appeared

 in the September 2005 issue of Executive Times

 

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