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Executive Times |
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2005 Book Reviews |
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Legends
by Robert Littell |
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Rating:
•••• (Highly Recommended) |
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Click on
title or picture to buy from amazon.com |
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Discovery Spy novel fans will love Robert
Littell’s new novel, Legends. We find retired spy Martin Odum is unclear
whether he really is who he thinks he is, or if Martin Odum is one of the
“legends” or created identities that the CIA built with him. Over the fast
pace of almost 400 pages, we learn with Odum who he has been, who he is, and
what that means for him today. Here’s an excerpt, all of the chapter titled, “1994: MARTIN ODUM GETS ON WITH HIS LIVES,”
pp. 42-48: “Could you say something
so I can check the voice level?” “What should I say?” “Anything that comes into
your head.” “.
. . the silent cannons bright as gold rumble
lightly over the stones. Silent cannons, soon to cease your silence, soon unlimber’d
to begin the red business.” “That’s fine. Remember to
speak directly into the microphone. All right, here we go. For the record:
We’re Thursday, the sixteenth of June, 1994. ‘What follows is a tape
recording of my first session with Martin Odum. My name is Bernice Treffler.
I’m the director of the psychiatric unit at this private hospital in “One of Walter ‘Whitman’s
Civil War poems.” “Any reason you call him
Walter instead of Walt?” “I was under the
impression that people who knew him called him Walter.” “Are you a fan of
Whitman’s?” “Not that I’m aware of. I
didn’t know I knew the lines until I said them.” “Does the Civil War interest
you?” “It doesn’t interest me,
Martin Odum, but it interested—how can I explain this?—it interested someone
close to me. In one of my incarnations, I was supposed to have taught a
course in a junior college on the Civil War. When we were working up the
legend—” “I’m sorry. The CIA people
I’ve treated up to now have all been officers working at ‘What is a legend?” “It’s a fabricated
identity. Many Company people use legends, especially when they operate
outside the “Well, I can see my
vocabulary is going to expand talking to you, Mr. Odum. Go on with what you
were saying.” “What was I saying?” “You were saying something
about working up a legend.” “Uh-huh. Since in my new
incarnation I was supposed to be something of an expert on the subject, the
person I was becoming had to study the Civil War. He read a dozen books, he
visited many of the battlefields, he attended
seminars, that sort of thing.” “He, not you?” “Uh-huh.” “Was there a name assigned
to this particular, eh, legend?” “Dittmann, with two t’s
and two n’s. “Do you have a headache,
Mr. Odum?” “I can feel one starting
to press against the back of my eyes. Could you crack a window? It’s very
stuffy in here. . . Thanks.” “Would you like an
aspirin?” “Later, maybe.” “Do you get headaches
often?” “More or less often.” “Hmmm. What kind of person
was this Lincoln Dittmann?” “I’m not sure I understand
the question.” “Was he different, say,
from you? Different from Martin Odum?” “That was the whole
point—to make him different so he could operate without anyone mistaking him
for me or me for him.” “What could Lincoln
Dittmann do that you couldn’t?” “To begin with, he was an
extraordinary marksman, much more skilled than me. He would take his sweet
time to be sure he got the kill, one shot to a target. He would crank in
corrections for windage and distance and then slowly squeeze (as opposed to
jerk) the trigger. I’m too high-strung to kill in cold blood unless I’m
goaded into action by the likes of Go on. “Martin Odum is a
basically edgy individual—there are days when he jumps at his own shadow.
He’s afraid to set foot in a place he’s never been to before, he’s
apprehensive when he meets someone he doesn’t already know. He lets
people—women, especially—come to him. He has a sex drive but he’s just as
happy to abstain. When he makes love, he goes about it cautiously. He pays a
lot of attention to the woman’s pleasure before he takes his own.” “And Dittmann?” “Nothing fazed “What you’re describing is
very similar to a split personality.” “You don’t get it. It’s
not a matter of splitting a personality. It’s a matter of creating
distinct personalities altogether who . . . Excuse
me but why are you making notes when this is being recorded?” “The conversation has
taken a turn for the fascinating, Mr. Odum. I’m jotting down some initial
impressions. Were there other dissimilarities between Dittmann and Odum;
between Dittmann and you?” “Creating a working legend
didn’t happen overnight. It took a lot of time and effort. The details were
worked out with the help of a team of experts. Odum smokes Beedies,
Dittmann smoked Schimelpenicks when he could find them, any thin cigars when
he couldn’t. Odum didn’t eat meat, Dittmann loved a
good sirloin steak. Odum is a Capricorn, Dittmann
didn’t know what his Zodiac sign was and couldn’t have cared less. Odum
washes and shaves every day but never uses aftershave lotions. Dittmann
washed when he could and doused himself with Vetiver between showers. Odum is
a loner; the handful of people who know him joke that he prefers the company
of bees to humans, and there’s a grain of truth to that. Dittmann was
gregarious; unlike Odum he was a good dancer, he liked night clubs, he was
capable of drinking large quantities of cheap alcohol with beer chasers
without getting drunk. He did dope, he solved crossword puzzles in ink, he played Parcheesi and Go. When it came to women, he was
an unconditional romantic. He had a soft spot for females”—Martin remembered
a mission that had taken Lincoln to a town on the Paraguayan side of Three
Border—”who were afraid of the darkness when the last light has been drained
from the day, afraid of men who removed their belts before they took off
their trousers, afraid life on earth would end before dawn tomorrow, afraid
it would go on forever.” “And you—” “I don’t do dope. I don’t
play board games. I don’t do crossword puzzles, even in pencil.” “So Odum and Dittmann are
antipodes? That means—” “Lincoln Dittmann would
know what antipodes means. And in a corner of one lobe of my brain I have
access to what he knows.” “What does this access consist
of?” “You’re not going to
believe this.” “Try me.” Martin said, very softly,
“There are moments when I hear his voice whispering in my ear. That’s how I
came up with those Walter ‘Whitman lines.” “Lincoln Dittmann whispered
them to you.” “Uh-huh. Other times I
know what he would do or say if he were in my shoes.” “I see.” “What do you see?” “I see why your employer
sent you to us. Hmmm. I’m a bit confused about something. You talk about
Lincoln Dittmann in the past tense, as if he doesn’t exist anymore.” “ “The way you talk about
Martin Odum, it almost seems as if he’s a legend, too. Is he?” When Martin didn’t answer
she repeated the question. “Is Martin Odum another of your fabricated identities,
Mr. Odum?” “I’m not sure.” “Are you telling me you
really don’t know?” “I thought that’s what you
were supposed to help me find out. One of the legends must be real. The
question is which.” “Well, this is certainly going
to be more interesting than I expected. You have a very original take on
MPD.” “What the heck is MPD?” “It stands for Multiple
Personality Disorder.” “Is what I have fatal? Why
are you smiling?” “Multiple Personality
Disorder is far more likely to be functional than fatal, Mr. Odum. It permits
patients who suffer from it to survive.” “Survive what?” “That’s what we’re going
to try to work our way back to. Let me give you the short course on MPD. My
guess is that somewhere along the line something happened to you. In the
overwhelming majority of cases, the trauma took place in childhood—sexual
assaults are high on the list of childhood traumas, but not the only things
on the list. I had one case about four years ago where a patient turned out
to have been traumatized because he played with matches and started a fire
that resulted in the death of his baby sister. The trauma short-circuited the
patient’s narrative memory. This particular patient developed seven distinct
adult personalities, each with its own set of emotions and memories and even
skills. He switched from one to another whenever he came under any stress.
None of the seven alter personalities—what you would call legends, Mr.
Odum—remembered the original childhood personality or the trauma associated
with that personality. So you see, switching between
personalities— almost always accompanied by a headache, incidentally—was a
survival mechanism. It was his way of erecting a memory barrier, of
shielding himself from an extremely frightening childhood experience,
and it’s in this sense that MPD is considered to be functional. It allows you
to get on with your life—” “Or your lives.” “Very good, Mr. Odum. Or
your lives, yes. My instinct tells me you certainly don’t fit neatly into the
literature on the subject, inasmuch as you developed your alter
personalities out of operational necessity, as opposed to a psychological
necessity. When your psyche decided it needed to disappear behind a memory
barrier, you had a series of personalities crafted and waiting to be stepped
into. It’s in this sense that you can be said to fit into the Multiple
Personality profile.” “How different were your
patient’s seven personalities?” “In my patient’s case, as
in the majority of MPD cases, they were quite distinct, involving diverse
habits, talents, interests, values, dress codes, mannerisms, body language,
ways of expressing themselves. They even made love differently. The alter
personalities had different names and several of them even had different
ages. One of them was unable to communicate verbally while another spoke a
language—in his case Yiddish—that the others didn’t understand.” “How is it possible for
one personality to speak a language that another of his personalities doesn’t
understand?” “It’s a perfect example of
how compartmented what you call legends can be in the brain.” “Were the seven
personalities aware of each other’s existence?” “Some were, some weren’t. This aspect can vary from case to case.
More often than not several of the personalities seem to be aware of the
existence of several other of the personalities—they
think of them the way you would think of friends who you know exist but
haven’t seen in awhile. And there is what we call a trace personality—in
your case it would appear to be Martin Odum—who serves as a repository of
information about all of the other personalities except the host personality
that experienced the trauma. This would account for the sensation you have
that, as you said a moment ago, in a corner of your brain you have access to
the specialized knowledge or talents of another alter personality, or as you
would put it, another legend.” “I have a question, Dr.
Treffler.” “Listen, since we’re going
to be working together for some time, how about if we move on to a first name
basis. Call me Bernice and I’ll call you Martin, okay?” “Sure. Bernice.” “What’s your question,
Martin?” “I seem to be able to
distinguish three operational identities. There’s Martin Odum. There’s
Lincoln Dittmann. And there’s one I haven’t introduced you to—the Irishman,
Dante Pippen. Today of all days, Dante would be out on a pub crawl in “What’s so special about
today?” “It’s Bloomsday, for
pete’s sake. All the action in Ulysses takes place ninety years ago
today—16 June, 1904.” Martin shut his eyes and angled his head. “Bloom
entered Davy Byrne’s. Moral pub. The publican doesn’t chat. Stands a drink
now and then.’ On top of everything, it was a Tuesday, like today. In “Hmmm.” “So here’s my question: Is
one of my three legends genuine? Or is there a fourth personality lurking in the
shadows who’s the original me?” “Can’t respond to that one
yet. Either premise could be correct. There could be a fourth legend, even a
fifth. We won’t know until we start to break down the memory barriers, brick
by brick, to get to the identity that recognizes himself
as the original you.” “For that to happen, the
childhood trauma will have to surface?” “Is that a question or a
statement of fact?” “Question.” “I’m going to enjoy
working with you, Martin. You’re very quick. You’re not frightened, at least
not to the point where you’d walk away from this adventure. The answer to
your question is: To get to what you call the original you, you’re almost
certainly to have to experience pain. How do you feel about pain?” “Not sure what to answer.
Martin Odum may feel one way about it, Lincoln Dittmann and Dante Pippen,
another.” “On that delightful note,
what do you say we call it a day?” “Uh-huh.” As an
afterthought, Martin asked, “Could I take you up on that aspirin?” Some spy novels twist readers into a frenzy with subplots and confusing narrative leading
nowhere. Littell takes readers inside the spy world on the pages of Legends,
and never disappoints with a frustrating subplot. Every page builds toward
the discovery of who Martin Odum really is. Steve Hopkins,
August 25, 2005 |
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ã 2005 Hopkins and Company, LLC The recommendation rating for
this book appeared in the September
2005 issue of Executive Times URL for this review: http://www.hopkinsandcompany.com/Books/Legends.htm For Reprint Permission,
Contact: Hopkins & Company, LLC • E-mail: books@hopkinsandcompany.com |
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