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Executive Times |
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2007 Book Reviews |
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God Is
Not Great: How Religion Poisons Everything by Christopher Hitchens |
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Rating: |
*** |
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(Recommended) |
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Click on
title or picture to buy from amazon.com |
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Enlightenment There’s no
shortage of hyperbole and definitive argument on the pages of Christopher Hitchens’ new book, God Is
Not Great: How Religion Poisons Everything. Atheists have a new
spokesperson, and he’s a worthy adversary, not necessarily because he’s smart
or right, but because he’s probably the loudest and most dogmatic. God Is
Not Great is another book that blames religion for many of the woes in
the world, and which affirms that since the Enlightenment, religion has been
irrelevant. Here’s an excerpt, from the beginning of Chapter 8, “The ‘New”
Testament Exceeds the Evil of the ‘Old’ One,” pp. 109-113: The work
of rereading the Old Testament is sometimes tiring but always necessary,
because as one proceeds there begin to occur some sinister premonitions.
Abraham—another ancestor of all monotheism—is ready to make a human sacrifice
of his own firstborn. And a rumor comes that “a virgin shall conceive, and
bear a son.” Gradually, these two myths begin to converge. It’s needful to
bear this in mind when coming to the New Testament, because if you pick up
any of the four Gospels and read them at random, it will not be long before
you learn that such and such an action or saying, attributed to Jesus, was
done so that an ancient prophecy should come true. (Speaking of the arrival
of Jesus in Jerusalem, riding astride a donkey, Matthew says in his chapter
21, verse 4, “All of this was done, that it might be
fulfilled which was spoken by the prophet.” The reference is probably to
Zechariah 9:9, where it is said that when the Messiah comes he will be riding
on an ass. The Jews are still awaiting this arrival and the Christians claim
it has already taken place!) If it should seem odd that an action should be
deliberately performed in order that a foretelling be
vindicated, that is because it is odd.
And it is necessarily odd because, just like the Old Testament, the “New” one
is also a work of crude carpentry, hammered together long after its purported
events, and full of improvised attempts to make things come out right. For
concision, I shall again defer to a finer writer than myself and quote what
H. L. Mencken irrefutably says in his Treatise
on the Gods: The simple fact
is that the New Testament, as we know it, is a helter-skelter accumulation of
more or less discordant documents, some of them probably of respectable
origin but others palpably apocryphal, and that most of them, the good along
with the bad, show unmistakable signs of having been tampered with. Both Paine and Mencken, who
put themselves for different reasons to an honest effort to read the texts,
have been borne out by later biblical scholarship, much of it first embarked
upon to show that the texts were still relevant. But this argument takes
place over the heads of those to whom the “Good Book” is all that is
required. (One recalls the governor of In 2004, a soap-opera film
about the death of Jesus was produced by an Australian fascist and ham actor
named Mel Gibson. Mr. Gibson adheres to a crackpot and schismatic Catholic
sect consisting mainly of himself and of his even more thuggish father, and has
stated that it is a pity that his own dear wife is going to hell because she
does not accept the correct sacraments. (This foul doom he calmly describes
as “a statement from the chair.”) The doctrine of his own sect is explicitly
anti-Semitic, and the movie sought tirelessly to lay the blame for the Crucifixion
upon the Jews. In spite of this obvious bigotry, which did lead to criticism
from some more cautious Christians, The
Passion of the Christ was opportunistically employed by many “mainstream”
churches as a box-office recruiting tool. At one of the ecumenical prepublicity events which he sponsored, Mr. Gibson
defended his filmic farrago—which is also an exercise in sadomasochistic
homoeroticism starring a talentless lead actor who
was apparently born in Iceland or Minnesota—as being based on the reports of
“eyewitnesses.” At the time, I thought it extraordinary that a
multimillion-dollar hit could be openly based on such a patently fraudulent
claim, but nobody seemed to turn a hair. Even Jewish authorities were
largely silent. But then, some of them wanted to dampen down this old
argument, which for centuries had led to Easter pogroms against the
“Christ-killing Jews.” (It was not until two decades after the Second World
War that the However, he fell into the
same error as do the Christians, in assuming that the four Gospels were in
any sense a historical record. Their multiple authors—none of whom published
anything until many decades after the Crucifixion—cannot agree on anything of
importance. Matthew and Luke cannot concur on the Virgin Birth or the
genealogy of Jesus. They flatly contradict each other on the “Flight into The Gospel according to
Luke states that the miraculous birth occurred in a year when the Emperor
Caesar Augustus ordered a census for the purpose of taxation, and that this
happened at a time when Herod reigned in Judaea and Quirinius
was governor of Sixty years ago, at Nag Hammadi in The book is chiefly
spiritualist drivel, as one might expect, but it offers a version of “events”
that is fractionally more credible than the official account. For one thing,
it maintains as do its partner texts that the supposed god of the “Old”
Testament is the one to be avoided, a ghastly emanation from sick minds.
(This makes it easy to see why it was so firmly banned and denounced:
orthodox Christianity is nothing if it is not a vindication and completion
of that evil story.) Judas attends the final Passover meal, as usual, but
departs from the customary script. When Jesus appears to pity his other
disciples for knowing so little about what is at stake, his rogue follower
boldly says that he believes he knows what the difficulty is. “I know who you
are and where you have come from,” he tells the leader. “You are from the
immortal realm of Barbelo.” This “Barbelo” is not a god but a heavenly destination, a
motherland beyond the stars. Jesus comes from this celestial realm, but is
not the son of any Mosaic god. Instead, he is an avatar of Seth, the third
and little-known son of Adam. He is the one who will show the Sethians the way home. Recognizing that Judas is at least
a minor adept of this cult, Jesus takes him to one side and awards him the
special mission of helping him shed his fleshly form and thus return heavenward. He also promises to show him the stars
that will enable Judas to follow on. While Hitchens turns a clever phrase on more than a few pages
of God
Is Not Great, many readers will find that much of this book is boring. Fellow
atheists will find an anecdote or two to add to one’s repertoire, and
religionists will understand the thinking of one critic. Few beliefs will
change as a result of this book. The rhetoric may be dialed a notch or two
higher, thanks to Hitchens. Steve Hopkins,
June 25, 2007 |
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2007 Hopkins and Company, LLC The recommendation rating for
this book appeared in the July 2007
issue of Executive Times URL for this review: http://www.hopkinsandcompany.com/Books/God
Is Not Great.htm For Reprint Permission,
Contact: Hopkins & Company, LLC • E-mail: books@hopkinsandcompany.com |
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