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Flying Crows by Jim Lehrer

 

Rating: (Mildly Recommended)

 

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Birdie

Jim Lehrer’s fourteen novel, Flying Crows, spans most of the 20th century to present the story of two mental asylum inmates from Missouri. One inmate, Birdie Carlucci, was found living in Kansas City’s Union Station, which he had made his home for seven decades, following his escape from Missouri State Hospital for the Insane. Lehrer presents lots of description and drama to unveil this story, but the plot moves erratically, and his style becomes plodding in the middle of the book.

Here’s an excerpt that explains the title, from the beginning of Chapter 12, “Josh and Birdie Union Station 1933,” pp. 109-117:

 

Birdie stretched his arms out as if they were wings.

“Make the sound of a crow for me, Josh,” he said.

Josh tried. No noise came from his mouth, but he was pleased to see that Birdie was better—calmer. He seemed almost happy. Who knows what happened to him? thought Josh. Who knows anything about lunatics?

Birdie made his own crow music as he began a quick swooping circle around the small space at the rear of the train. He sounded more like a croaking frog or a neighing horse than a squawking crow. But it didn’t seem to matter to him.

“Here we are,” he said, as he stopped and lowered his arms. “Two flown crows, about to land at Union Station on The Flying Crow. No matter what happens, no matter who finds us, don’t you feel like a flown crow right now, Josh?”

Josh said nothing. He had not spoken since they climbed onto the back of the train fifty minutes ago. He had sat, silent and motionless, on the platform in a corner against the open rear of the observation car. His senses took in the motion of the moving train and the blustering wind. He heard the clickety-clack of the wheels on the track and the loud blares of the whistle—two longs, a short, and a long—as the train passed over grade crossings and through tiny Missouri towns on the way to Kansas City But he hadn’t talked—or moved.

“Flown crows feel like they’ve been flying straight,” Birdie yelled, an­swering his own question. “Here we are, Birdie and Josh, having just flown straight as the crow flies. Straight from the Somerset lunatic asylum to Union Station. That’s us, flown crows.”

Birdie could talk as loud as he wanted to now, as the train crept slowly into the main yards of Union Station. In a few moments, someone some­where would throw a magic switch to direct it to a particular track for its arrival below the Union Station building.

Josh’s original plan for Birdie was based on the probability that no conductor or any other person, passenger or employee, aboard The Flying Crow would have an occasion to check the outside observation deck at the rear of the train this time of morning, this close to its final destination. He had been right. They had made their stolen trip from Somerset to Kansas City undetected.

The train’s brakes screeched.

“Hey, Josh, here we are!” Birdie said, his voice going higher and higher. “Up on your feet. Welcome to the Union Station!”

Josh did not move.

“I used to come here on Saturday mornings with my cousin Paul,” Birdie said. “He was a paperboy for the Star—the Kansas City Star: On Sat­urdays I’d come with him and help him sell papers. I loved it. I love this place so much!”

Josh couldn’t imagine loving a train station. Loving people was hard enough. But this was Birdie. He was some strange kid. He seemed scared to he coming here one minute, and now he was talking like a kid at the cir­cus, at his favorite place.

“Come on, Josh, come on! We’ll have to be careful, but let me show you around. Let me show you my Union Station, my massacre.”

So Birdie really did see something awful at a train station?

When he got no response, Birdie came over to Josh and leaned down. “You’re a free man, Josh, free as a bird, a crow, just like I am—thanks to you. No more rocking in those chairs, sweeping with those brooms, eat­ing cheese sandwiches, running around naked, sitting in water for hours—and mostly no more ball bats to the head. Nothing could be worse than that; that’s what I decided. Yeah, yeah, that’s what I decided. Every­thing’s going to be fine now.”

Josh wanted to say something about who really decided what about leaving Somerset. And he wanted to say something else about sonic things being worse than living at Somerset—at least for him. Who knew about Birdie. But Josh couldn’t speak or move. His body, his mind, and his mouth were frozen in place.

Josh trembled at the last long squeal of the brakes. The train stopped. He could hear the noise of people on the platform. The noise of regular people in the outside world was something he had not heard in years.

Birdie jerked his hat down farther on his head and turned up the collar on his shirt. His eyes and nose were about all of his face that could he seen. Birdie could do whatever he wanted, but Josh figured there was no point in doing anything like trying to hide his own face. He had to go back to Somerset as quick as he could no matter what.

Birdie grabbed Josh by his shoulders and pulled him to his feet. Josh did not resist. “You took care of me at Somerset, Josh, and now I’m going to take care of you,” Birdie said. “Think of me as your nephew. Or son. No, no, not any of those: friend. You are my friend. I am your friend. How old are you anyhow?”

Josh did not answer Birdie’s question. Ages, like last names, were things that didn’t matter at the Sunset in Somerset.

“You’ve got to he at least double my age, maybe triple—forty, sixty, one hundred, who knows? Who cares? We’re friends, Josh.”

Josh, still silent, accepted Birdie’s arm around his shoulder and his help in climbing up and over the ornate fencing onto the station platform. If anybody in authority—a conductor, a porter, a cop—saw them leave the train, they must not have cared because nobody stopped them or said any­thing.

Birdie tucked his head even farther down into his body in an attempt it seemed to Josh, to be invisible. Josh couldn’t figure what Birdie was so scared of. Wasn’t it too soon for anyone to have gotten the word from Somerset to be on the lookout for two escaped lunatics? Birdie didn’t seem to think so.

They started walking forward with the train on their left like any other two arriving passengers.

“I love this place,” said Birdie, keeping his head down, his voice soft. “I always loved coming here with Paul, being here—except for that awful morning. I didn’t love that.”

The jumble of noise and commotion on the platform was suddenly too much for Josh. It overwhelmed him and he stopped. Birdie grabbed him around the shoulders again and propelled him forward.

“It’s OK, Josh. It’s OK. Stick with inc. I won’t let anybody catch us, ei­ther of us.”

Passengers were still getting off the train, scurrying ahead of Josh and Birdie toward some distant stairs. Men wearing red caps were calling for customers who needed help with their luggage. Men in dark blue uni­forms with billed caps, starched white shirts, and black bow ties were hawking items from shops on wheels with signs over them that said TRAVELERS’ NEEDS. One sold magazines, cigarettes, apples, and candies; another offered hot coffee and slices of coffee cakes and cinnamon rolls.

“We’re at Track Three, but it doesn’t matter because they’re all the same,” Birdie said. “Track Twelve was where it started, where the train came in from Arkansas on the morning of my massacre.”

Side by side. Josh and Birdie continued down the concrete platform, passing the first and then the second movable shop. They could hear the engine of The Flying Crow, its bell at the front still ringing, steam hissing out from underneath the wheels.

Words continued to tumble out of Birdie, but nobody except Josh could possibly have heard what he was saying—and Josh barely could.

“There’s no Star boy here. Somebody’s missing a big bet; somebody ought to he meeting this train with the Kansas City Star Passengers on these early trains haven’t had a chance yet to pick one up. Somebody ought to he here with the first paper they’ll have had a chance to buy any­where since they woke up on the train. Paul knew that. I’d come with him on Saturdays. Smart, huh, Josh?”

Josh nodded. None of what Birdie was saying made sense to him. Maybe this kid had a lot more mental problems than not being able to close his eyes without screaming.

Birdie suddenly stopped and looked hack toward the rear of the train. “I thought I saw a policeman back there. Did you see a policeman, Josh?” There was alarm in his voice.

Birdie motioned for Josh to look, too. There were only a few slow-­moving passengers behind them, coming their way.

After letting out a long breath of relief and turning completely around to look in all directions, Birdie said, “I was down here that morning to meet the Missouri Pacific’s Southerner, Josh. Most of the trains have names—you know, like people do, like The Flying Crow does. Burling­ton’s are Zephyrs, the Rock Island’s are Rockets. Did they do that with the trains when you were you—you know, before you went to Somerset?”

Josh couldn’t remember. It wasn’t something that stuck in his mind one way or another. This was the kind of crazy train talk Birdie should have had with Streamliner. Josh wondered about himself. Words wouldn’t come. What had come over him? Was he having a relapse of some kind? He was afraid for himself: He had to get back to Somerset as fast as possi­ble. Had fear locked up his ability to speak?

Again, Birdie went on without an answer. “Could he that telling you and showing you what happened to me here at Union Station makes me crazier. Can you stay with me and help me forever?”

Josh ached to speak but still couldn’t. He wanted to say, Had you stayed any longer at Somerset you’d really be crazier—maybe even dead. Al­though you’re looking and sounding crazier and crazier with each passing second now. But no matter how crazy you get, I can’t stay with you. I have to return to Somerset.

“Hey, Josh,” Birdie said, “don’t think I haven’t noticed you’re not talk­ing. I don’t know what’s come over you, hut that’s OK. Like I said a while ago, we’re going to help each other.”

Josh didn’t want or need any help. Right now he just wanted to do what he could for Birdie and then get back to Somerset.

Birdie said, “You never did really return to your train station in Cen­tralia the way I’m doing now, did you?”

Josh shook his head and then touched his temple with the index finger of his right hand.

“Got it, yeah, yeah, your thing on the stage in the auditorium. You went back in your mind. That must be quite a bloody story you tell. Sorry I never saw your big performance. My story’s got some blood, too. Mostly from one guy in the car. . .”

Birdie started to close his eyes and then suddenly opened them wide— as if remembering something. His body shook.

Josh patted Birdie on the back. But, still, no words would come.

After a couple of seconds, however, like a short breeze, whatever was happening to Birdie passed on. And his low babble continued.

“The Southerner was due in at seven-fifteen AM., and the men in the stationmaster’s office said it was going to be about fifteen minutes late. Think what that means. That train left New Orleans at something like ten o’clock at night on June fifteenth, 1 933, went all night and day on June sixteenth up through Louisiana and Arkansas, and then went all night a second night before getting to Kansas City in the morning on June seven­teenth only fifteen minutes late. They all did that, those Santa Fes. I love those big Santa Fes; they go to Chicago one way and to California the other and do the same thing—maybe more, maybe three nights, I think— before they get to one end or the other, Los Angeles or Chicago. Think about how hard that must be for the engineers and the brakemen and the otl1er guys who work on the trains to get them to where they’re finally going on time—or just fifteen minutes late. Threading a needle at night with no light and no fingers is what it’s got to he like. Only fifteen min­utes late, say at seven-thirty like that Missouri Pacific did the morning of June seventeenth. That’s something, isn’t it, Josh?”

Josh nodded agreement. Why is Birdie going on and on like this? But, come to think of it, Josh couldn’t even imagine having the ability to make a train arrive at a place exactly when it was supposed to, at the right time or even the right day. He knew there were people born into this world who could do such things hut he wasn’t one of them. He was an approximate man, not an exact man.

As they walked down the platform, Josh noticed that Birdie, most of his face still hidden by his hat and his collar, was keeping a constant nervous lookout. But he never stopped talking.

“I was running by the time I got right about here, because I could see and hear time Missouri Pacific train coining in. I remember thinking the stationmaster was wrong; it wasn’t quite seven-thirty yet. But there it was. I stood right here as the engine went by, blowing steam and clanging its hell, and the fireman on the right side waved at me, and then came the baggage car and a chair car or two, and then came the sleeping cars. Those were the ones I was keen on because I figured they carried the passengers rich enough and interested enough in the news to buy a newspaper. Yeah, yeah. Smart, huh?”

Josh didn’t respond. he so wanted Birdie to shut up. He knew telling his story was helpful to Birdie, hut the noise of the telling was getting to be too much for Josh.

“The first sleeping car—there were two sleepers on that train—stopped right in front of me. I sure admire the way train engineers~ not only on the Missouri Pacific hut all of them, like the one on The Flying Crow just now, can stop those trains on a dime, right where they’re supposed to he on the track.

“I could see a man, a passenger, leaning out from the first sleeping car like he was looking for somebody. He waved at a couple of men standing next to me. They were both in suits and hats. I hadn’t noticed before, but they were both carrying pistols. One had his in his belt, the other in his right hand.

“People started coming from the rest of the train, and then I saw the waving man get off the train with four other men, all carrying guns, big ones—shotguns is what they looked like. The men were in suits and ties and felt hats and looked tough, like crooks or cops. Right behind them came a guy with his hands together in front of him, fastened by a pair of shiny silver handcuffs. Some more guys with guns got off the train next, and with the two men already waiting on the platform they formed a little V formation, with the guy in handcuffs in the middle down in the point of the V and the others with suits and guns fanning out a little forward on each side. I couldn’t believe it. I knew—no, I knew nothing; I figured, I guessed—he was some crook and the cops were taking him somewhere, most likely to prison, but I was just guessing. You believe mc. don’t you, Josh?”

Josh nodded. Why would he not believe the kid? Why was he asking these questions?

“I found out later—along with everyone else in the world—that the guy was named Frank Nash: Jelly Nash, they called him. They said he had es­caped from Leavenworth federal prison, just north of here up in Kansas, hut he actually just walked out like he owned the place. They said—the papers said it and I read it later—that he had become a trustee in the warden’s office by acting like he had turned over a new leaf from reading William Shakespeare books he got from the prison library——which he stole, by the way, when he escaped. You didn’t steal any books because you didn’t know you were escaping, did you, Josh?”

Josh wasn’t sure how much more of this he could take. He wanted to help Birdie, but he really had to start figuring out how he was going to get himself back to Somerset. .

Birdie moved hack to what happened to Jelly Nash. “They finally caught Nash in Hot Springs, Arkansas, and the cops and federal agents were taking him hack to Leavenworth. They got on the Missouri Pacific’s night train in Fort Smith, and they were going to drive him up to Leavenworth from the train here, right hack to prison. That’s what the paper said was their plan. I didn’t know any of this at the time, of course. No way did I know any of that. Some people may not ever believe me, hut that’s the truth!”

Those words came out as if Birdie were pleading with somebody, not just telling a story. Josh didn’t know what to think.

“All I knew was here was something pretty special coining right at me in V formation down the train platform. This was big, this was exciting. Coming right at me, walking toward me down a platform like this one, came a crook with his hands cuffed and cops with shotguns all around him. The other people scattered to both sides like pigeons, leaving a big hole for the men in the V to walk through.

Birdie grabbed something out of his coat pocket and put it up to his nose. It was pink, a woman’s kerchief “Sister Hilda gave this to me. I may look her up. She said she liked to stay with a sister who lived on Garfield beyond Troost, just off the Brooklyn Avenue streetcar line. I know exactly where that is.”

Josh wanted to yell. You really are crazy! Fooling around with her al­ready almost got you killed amid it could again, and it could get her in even more trouble than she is probably in already. Leave the poor lady alone!

Birdie stuck the kerchief around his neck and tied it loosely. It covered tip even more of what was left of his face to see.

Then he turned and started walking away from the tracks, and so did Josh. They were headed toward a flight of stairs marked with an overhead sign: TO STATION..

 

“My cousin Paul told me there are forty-four steps to climb up to the walkway that’ll take us into the station,” Birdie said.

Forty—four steps? Who in their right mind goes around counting the number of steps in a train station? thought Josh. Maybe Birdie’s cousin was crazy too. He had heard that a lot of lunacy was inherited.

Birdie, not slowing his pace or moving his head, said to Josh, “Once we get upstairs in the station with all the people, don’t look anybody in the eye. Keep your head down. There could he cops and maybe some other people strolling around looking for us. Just in ease, keep walking like we’re ordinary passengers just of The Flying Crow, two honest, simple, harmless flown crows. Don’t look at anybody. Crows don’t look at live people walking anyhow. They only pay attention to dead things in the middle of the road. Isn’t that right. Josh?”

Josh didn’t answer. He was really worried about Birdie.

The kid was walking almost in a crouch, trying to make himself even smaller, trying to act invisible. Josh wondered if ordinary people in a train station—not cops or doctors or bushwhackers—could pick out people who have just escaped from a lunatic asylum. Escaped: is that what we did? We just left on the train. Yes, we escaped. Is somebody already look­ing for us? Maybe, sure. Somebody could have told somebody who told somebody else who told the police here at the Kansas City Union Station that we were on The Flying Crow. Two escaped lunatics, one of them ac­cused of having copulated with the wife of a bank vice president, are on The Flying Crow! Streamliner didn’t see anything. Only Lawrence of Sedalia really knew what happened and he wouldn’t tell anyone. Birdie aside, Lawrence’s happiness over having Josh stop his Centralia performance would have kept him silent.

But that’s not going to help us at thus train station, thought Josh. Do lunatics look different from other people? That’s the question. I’m tall. skinny big—nosed, very white. My eyes are blue, my hands are huge, my hair is brown and long. Birdie looks like the black—haired kid that he is. Are we dressed OK? Most of the other men here are wearing suit coats amid ties. Our blue shirts and pants say we could he construction workers. Is there something in our eyes that’s different? Can they tell our heads have been hit by baseball bats and our bodies have been immersed for hours in tubs of water like hippopotamuses and we have rocked in chairs and pushed brooms for hour after hour after hour? They can see all of my face but only a tiny hit of Birdie’s.

Birdie said to Josh, “Ever wonder why the Kansas City Southern named their train The Flying Crow? Don’t all crows fly? What’s so special about that?”

Lehrer has written better novels than Flying Crows, so those readers who will enjoy fine description and drams should give this book a try, while those who like better plot management, should look elsewhere.

Steve Hopkins, November 26, 2004

 

ã 2004 Hopkins and Company, LLC

 

The recommendation rating for this book appeared in the December 2004 issue of Executive Times

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